Continuing to work from home…John Cumming (1948 - 2020)

Founder of the London Jazz Festival and the music production company Serious, generous and stimulating friend, mentor and colleague to many, John Cumming has died at home in the bower of love and comfort that he created with his wife Ginnie and daughter Kate.

The list of phrases that evoke John is long…bon viveur and bon vivant, lover of culture -not just jazz and improvised music, skanker and vinyl connoisseur, veteran rocker of a converse sneaker, conversationalist and storyteller, seasoned traveller, imbiber of dry white wine and single malt, master of the art of the pre-show, interval and post-show hang (the most essential skill in a music promoter)…there were many ways to engage with him.

Alongside a cracking group of colleagues, I worked with John for a long time and one of my favourite things is his well-used phrase ‘continuing to work from home…..’.  Not only did this demonstrate a supreme dedication to his vocation, it was invariably followed by an ellipse.  What I like most about John’s ellipses is that they were rarely the accepted or standard three-dot ellipse - four or more dots were not uncommon – and peppered much of his written communication, and were always present, or at least implied, in his spoken communication.

This ability to flout rules and stay true to a higher purpose has been the essence of his success as a ‘mover and shaker’, cultural innovator, collaborator, and kind and magnanimous human.

And while he’s bought his last round of drinks, we can all appreciate how lucky we have been to know him, work with him, hang out with him, be inspired by him.

Martel Ollerenshaw, May 2020

Anyone reading or contributing to this blog who is interested in donating money to musicians instead of sending flowers to John’s family and/or have images that you can share with The Serious Diaspora (i.e., John’s former colleagues), please click here.

This what John’s friends and colleagues remember:

‘I'll always be so grateful to John for supporting me and the music I make. We met at a time where I really needed guidance and, through his generosity, knowledge, and experience, he helped light up a pathway for me to walk down and make my own. I know he did this for many, many musicians.  Musicians, like all artists, are as timid and insecure as they are bold and extroverted. Acknowledgement from someone like John, who had literally seen and heard it all, always felt good. I'm grateful for the times we spent hanging out. We bent each other's ears into many a late night over the years from Poland to Gateshead to Toronto, and even shared the occasional dancefloor, if things really got going. He knew everyone, and if you brought up a particular album, player or place John would always be ready with a story to tell in that characteristically enthusiastic way, including several entertaining diversions and sidebars. I'll always remember him bouncing from gig to gig at whichever festival he was at. Smiling, laughing, talking, glass of red stuck in hand. He loved every minute of it. Cheers John, I won't forget your valuable lessons - Here's to you!’ (Chris Sharkey, musician)

‘John and I loved talking football.  He Hearts, me Liverpool.  One time while doing an event in Gateshead we snuck off to watch Newcastle v Liverpool.  My team lost but John and I had a wonderful time together.  I will miss him.’ (Ope Igbinyemi, Serious)

‘When people die, there are usually nice positive things said about them out of respect. Fair enough. However, in John Cumming’s case, one doesn’t have to act merely out of respect.’ (Sonny Rollins, musician)

‘Dear Ginnie…So sorry for your loss of John.  He was a lovely guy.  John came to my apartment several times for the IJFO gatherings.  But most memorable are the dinners that I had with the two of you in London. These were wonderful occasions and I realized what good friends we were. Sending my condolences to you and to your daughter.  I hope to see you in the future. Much love.’ (George Wein, Newport Festivals Foundation)

‘John was sort of dad to the rest of us, which shows you how topsy-turvy our funny little world was.  One thing I especially liked about John was how he poked to find what you knew, and then gave you credit for it.  Once upon a time, John road managed a tour of Carla’s big band, which included a couple of gigs in Italy.  In a second-floor dressing room before the gig, in dispute with John about payment, [name of notorious promoter removed] jumped onto the window ledge and threatened to jump if John didn’t trust him.  John told him to go ahead, and [name of notorious promoter removed] climbed sheepishly back down…[name of notorious promoter removed] was a lovable rogue, if ever there was one.  [Name of notorious promoter removed] once came to my room in a Holiday Inn in Rome to watch a football match, and when Italy lost in the final minutes, he trashed my room, smashed a chair to bits, swept a lamp off the dresser….I could go on…’ (Steve Swallow, musician & friend)

‘What a huge loss it is not to have John Cumming here anymore. Equally, I've found myself thinking quite a lot about what the world would have been like without John at all, and it makes me step back and marvel at all the things he achieved.  It's hard to imagine but I know this: the world would have been quieter, less diverse, less creative, less inspiring, less ambitious, less interesting and less fun.  On a personal level - and I think this is what made him such a special person - John was always so generous, such good company and did not give the impression of someone who had other, more pressing, calls on his time than talking to you.  A giant in the world of jazz who moved about it so effortlessly and with such grace, he'll be sorely missed but his legacy is enormous.  Raising a glass to you from here, John, with gratitude for what you did and so very grateful that our paths crossed.’ (Fiona Goh, producer and researcher)

‘You could be easily deceived by John Cumming. In a world where looking busy and showcasing one's importance is apparently a key to social promotion, John looked almost always carefree and open to interact. Informal in style and dress, ready in smile and chuckle, he let you come forward and make an ass of yourself if that be the case. He knew all the jobs in the business, from lighting to promotion, from ticketing to touring, and could discuss them all, evaluating the performance of anybody and any organization. Whenever I had the luck to participate in one of the events organized by him at Serious I could feel his hand in the way the organization cared for all details. Transportations, hospitality, easy to follow timetables, and socializing. Never letting a message go unanswered in the busiest of times, John during the most complex events showed the main trait of the great organizer: he wasn't running after the last detail, because he had foreseen it in advance, so there was always time to deal with the many emergencies. He had a genuine and unbound enthusiasm for the music, when the music itself was genuine, regardless of genre border. The list of the projects he promoted, stimulated or distributed is a testimony of his contribution to jazz in the UK and in Europe: if he was convinced that a project had artistic merit, he would find a way to convince both sponsors and audience. He let his vast culture shine only after he was sure the conversation was worth it. Literature, theatre, history, football, we spoke about many subjects and it was always enriching - many times he sent me listening or reading. I also felt the difference in background: I could not handle the protracted hang, and the imbibing was way beyond my possibilities. I'm an early morning person, and sometimes at EJN meetings I met the late night owls going back to their rooms when I was on my way to the breakfast hall, so I am sure I lost a lot. But I am grateful for what I received, for John's sincere support and interest in my research projects. He always made me feel that our contribution was part of the organic scene, of the general network, and that enabled me to participate in some high-profile events, always learning a lot. It was a devastating loss for his family and friends, and for the scene at large. We all miss him.’ (Francesco Martinelli, jazz historian)

‘John - a man with a wealth of knowledge and experience which he carried lightly and shared readily. I last saw him at the Arts & Parts Christmas lunch, his lean frame looking even more youthful, clad in his new puffa coat (styling by Kate). We walked together to Liverpool Street station and he talked proudly about how well various ex-Serious staff were doing in their new production posts. We often shared Edinburgh/Scottish references and reminiscences. Our last communications were while he was in hospital ‘putting the heid on’ Covid19 and making it home to Kate and Ginnie. Unusually, we found ourselves sharing positive thoughts about the SNP (in response to the Boris bluster on coming out of lockdown); I mentioned thoughts of repatriation which he said he shared ‘at least in the imagination’. Ah John, you’ve taken the low road and made it to Scotland afore me.  Too soon, too soon.’ (Katrina Duncan, The Serious Diaspora)

‘I worked with John for over 25 years, first meeting him at an Abdullah Ibrahim gig whilst working at the Town & Country Club in Kentish Town. When I then moved to the Barbican in 1996, we continued to work together on the jazz programme and we brought countless legendary artists to perform in the Concert Hall. A gifted producer, with an extraordinary knowledge of jazz and many other music genres, he was a kind of musical guru to me - my jazz sensei. I really admired his insatiable interest in new music and artists, and even in his 70s his finger was most definitely on the pulse. JC had a wicked, canny sense of humour, spiced with a refreshing irreverence, but also a kindness and gentle charisma. People were drawn to him. He always had a story to tell or a joke to share and I particularly loved that conspiratorial twinkle in his eye and smile when he first saw you. Thanks John it was a pleasure and a privilege.’ (Bryn Ormrod, Barbican, etc)

‘Wherever I ventured across the jazz globe, people knew John and would immediately express their respect and love for him. Not least because John had the precious gift of being able to restore your faith in humanity. His love for the life he was living and the creative world he was part of, the humour and the lightness with which he wore his deep knowledge and keen intellect, the enthusiasm and openness with which he embraced new ideas and projects, and of course above all his deep love for the music and - as importantly - for the people who made it. A rare type of man. He will be sorely missed.’ (John Williamson, EFG Private Bank)

‘I met John for the first time in 2012, when we started thinking about a Swiss version of Take Five. I really appreciated his sense of humour, his sensitivity, his humanity, and his respectful way of being. All this made of him a very special person. Everybody felt good around John. He always had an open ear and good advice to give. And I learnt so much listening to him during the long sessions with Martel and the musicians. John, you left this world too early.’ (Barbara Canepa, Swiss Arts Council Pro Helvetia)

‘Like so many of us, I have very many happy memories of working with John. We had so much fun together in Birmingham, on one project or another. Projects with Wynton (the US Track and Field Olympic Team), Hugh Masekela, the Town Hall Gospel Choir (Soulful Messiah – we really should do that again, some time), Andy Sheppard . . . there were plenty more, but those are the peaks that stay fresh in my mind. I learnt a huge amount from him - he was inspirational: such a positive enthusiast for everything he did. I can’t imagine what the UK jazz scene would have been like without him. We had a good thing going, John and you guys [Amy Pearce & Martel Ollerenshaw], Tony Dudley Evans, and Town Hall/Symphony Hall. As I write, I can see him in the Symphony Hall bar, his eyes always fresh and laughing behind those round-rimmed glasses, usually a pint in hand, and an anecdote, so often beginning,  ‘…What you need to know about [artist X] is that…’ (inevitably completed by either a penetrating musical insight or a juicy bit of industry gossip). I was glad that I bumped into him last year a couple of times, to hear about how he was enjoying his retirement. He seemed very happy. Anyway…memories to cherish.’ (Paul Keene, Barbican)

‘I was constantly struck by the warmth and friendliness that John radiated. He was always there with a smile and a keen interest in what I (or whoever he was talking to) was up to at the moment.  He was genuinely fascinated in the art and creativity that surrounded him. He was also very calm most of the time and it seemed impossible to connect the huge, challenging, risky artistic projects with this likeable man smiling in the corner with a glass of wine, sharing a Scottish joke. John’s was also the keenest business mind I have ever worked with in the professional arts world and a huge inspiration for me and my peers.’ Cameron Reynolds (The Serious Diaspora)

‘The whole last week I was thinking of all the projects we did together…I read about John's passing and it made me very, very sad and speechless. Although I lost touch in the past couple of years, John and Serious, and you [Diana Spiegelberg] of course, is a big part of who I am and what I believe in. Somehow John - to me - seemed like someone who has always been in the music business and always will be. He was probably the kindest, most knowledgeable and most approachable person, someone who should always be around. I hope he is listening to great music somewhere with all the fantastic musicians he was friends with - or just masterminding a great festival in heaven.’ (Andrea Gáncs, Budapest Bar)

‘John has been a great friend and collaborator to me and Britten Sinfonia for most of the orchestra’s existence, introducing us to a huge variety of artists and helping us produce many memorable projects (7 performances in the LJF as I recall) which would simply not have happened were it not for him.  Early on, he helped us with projects from Moondog and Gil Evans reworkings, introducing us to artists such as Gil Goldstein, Andy Sheppard, Seb Rochford and most recently Brad Mehldau and Nik Bärtsch.  John was a one off, a unique and inspiring twinkle-eyed maverick producer who pushed the boundaries of the artform he loved (surely too narrow to be called jazz) – and leaves a formidable legacy which touched so many people’s lives.’ (David Butcher, Britten Sinfonia)  

‘Our paths had crossed in the 80s in New York, where we once shared a nice dinner in the Village - me with Mark Helias and him with Ginnie. Since then, I was always happy to be in touch with John, to meet or to have a drink at the London Jazz Festival or international events and gatherings…here and there, either around the musicians he was intensely involved with such as John Surman, Andy Sheppard or with Anouar Brahem, Charles LLoyd…I recall a nice time and lunch at Bore Place for the 2014 edition of Take Five, and moments at Jazzahead…always in a great mood, intensely humorous, vibrant, and full of projects and ideas, even though his accent was just about impossible to understand and I had often trouble to follow up his fast conversations. I am deeply saddened to have lost one of my dearest colleagues. John was part of my enlarged, trusted and reassuring family of jazz.’ (Marie-Claude Nouy, My Music Enterprise)

‘It’s difficult to find anything to add to the many many tributes that have been written and spoken about John Cumming. Having known JC for a very long time I can vouch for the fact that all the kind things that have been said about him are true. Apart from his organisational skills, his collection of anecdotes was legendary - some of them even seemed to improve with age. Over the years I was able to enjoy a great number of late-night ‘hangs’ with him. I’m proud to say that, for the most part, I was able to see things through until the end, but the trick that I never did manage to pull off, was John’s ability to  get to bed at 6am and then appear at breakfast 2 hours later ready for a busy day at the office. Now that was seriously impressive. RIP John - miss you already.’ (John Surman, musician)

‘John was my friend and manager (damager - his quip) for 40 years - so many stories...numerous “meetings”, planning albums and tours in the back room of the office in Old Compton Street , Soho (above the Vintage House off-licence and a pornographic bookshop) the offy was often used to brighten up the afternoon and spotting dodgy MPs using the bookstore was a source of amusement...sharing a bottle of Arki vodka on an internal flight in Outer Mongolia, in 1989 - both of us mildly terrified but enjoying every moment...trips to New York watching him conduct business in the bar of the Gramercy Park Hotel, hanging late in Bradley’s...his touring advice has proved invaluable: “eat when you can, sleep when you can and if they offer you cash - take it!” Thank you John for all ... I miss you.’ (Andy Sheppard, musician)

‘Working with John had a particular character - he accepted that you’d provided an agenda, but he liked to talk and you might or might not get to the end of it. He also liked to meet people on his own terms- often one to one over a drink- and let the conversation just develop- often the best way to get ideas flowing. The word ‘hang’ could have been made for him - that’s how he achieved so much - by hanging out with musicians, agents, managers, promoters - as friends. He could be critical (again after a few drinks) of certain things he felt could have been done better (and he was often right) but in all the time we worked together we never disagreed about the important things, and we seemed to share an inbuilt understanding of what would work and what wouldn’t. I have only a very few friends I have remained in close contact with from as long ago as the late 1960’s, and John and Ginnie are among those. It was one of my greatest pleasures that I was also able to work regularly and closely with John, particularly in recent years, and like hundreds of others, I will miss him enormously.’ (Ros Rigby, friend & colleague – this is an extract from a longer tribute, here)

‘John was one of my closest friends, professionally and personally. He was one of the key people to understand and support what I was trying to do at the Arts Council of Great Britain 50 years ago, when I was arguing that a touring scheme - The Contemporary Music Network - was vital artistically in order to get new music under the skin of the performers (and eventually public) by repeating concerts nationally. Initially, the Arts Council was sceptical if not hostile. 'The Council does not promote'. I countered that 'The Council was providing'. What I needed was first rate tour management. John, through Serious, provided just that, able to deal with the most tricky of customers, musicians, concert promoters, the Regional Arts Associations, the ACGB...Only the best artists internationally were selected, regardless of boxes. Venues embraced the contemporary arts audience. Posters appealed to them. John understood all this. Scrupulously efficient, laid-back, funny, a listener, a problem-solver not a problem maker. He will be sorely missed by musicians and huge numbers of friends worldwide who were fortunate to know such an able, intelligent, and kind man of vision.’ (Annette Morreau, friend & colleague)

‘John and I met in a place that was passion for music and musicians, in conversations infused with laughter, and which usually included the word ’Norway’.  We worked on many projects together, dreaming up ideas, whether for concerts, or for my ‘Late Junction’ programmes.  Along with the laughter there was such kindness and compassion. That laughter has been with me in these days since we heard the sad news, and has lifted my spirits in these strange days we live in. John’s impact on the music world, and on the musicians, festivals, producers, venues and so many more is a lasting and much appreciated legacy.  Heartfelt sympathies to his family and to all those close to him.’ (Fiona Talkington, Presenter BBC Radio 3, curator, writer)

‘Like many who are thinking and writing and talking about John now, I'm missing his warmth, his smile, his twinkle, his sense of adventure, his chat, his wisdom, the jokes, the tales of joy, sorrow, legends and lifetimes. You couldn't help but light up when you saw him and feel your spirits lift. I'm sure he couldn't have made all the many things happen without a smart operator's steely instinct and determination, but for me he was always a magically good vibe, a great character and one of the prime inspirational pillars of what I've known of the music business. Thank you John for all that you did for all of us: the music, the musicians, the venues, the gigs, the tours and for the way you broadened all of our horizons and inspired connection. Warmest hugs and deepest condolences to Ginnie and family and to all his close Serious comrades.’ (Max Reinhardt, broadcaster/DJ/Musician)

‘A gentle, dedicated soul, never pretentious and genuinely committed to everything and anyone he worked with. Terribly sad XX’ (Lucy Bennett, The Serious Diaspora)

‘When I think about John the first things that come to mind are his infectious laugh and the twinkle that was always in his eye. Kind-hearted and generous, John always had time for everyone. John had a wonderful way with words, and I have fond memories of him helping me to write the London Jazz Festival brochure copy. John would kindly and expertly craft my scrappy text into something articulate, and brochure-worthy, leaving me to edit it back to something that would fit on the page. So passionate and knowledgeable about the subject matter, it’s no wonder he could never keep to the word count. RIP John. You will be so missed.’ (Lucinda Hilbery, The Serious Diaspora)

‘Only after I heard the news did I realise that I’d met John at my very first (work related) show.  It was 2005 (maybe 6) London Jazz Festival; Archie Shepp/Mina Agossi double bill at the QEH.  We met backstage (my first red serious AAA – I’d made it mum!) and over a large glass of white wine, he quizzed me over my previous employer (whom shall remain nameless).  For a long time, it was me selling ideas to John.  Most of them rubbish but were always listened to.  Just him and I, in random boozers in Farringdon. Then there were three of us, John, Amy and I and that was the way for such a long time.  Always me, selling ideas (still mostly rubbish) but always listened to and now with Amy’s help I was getting more wins than fails.  It was because of John I knew Amy and because of Amy I met my (now) wife. So thanks for that John.  Thanks for the kindness.  And for the record it was me not Joe Baxter that caused that ‘situation’ in the Hilton in NY that time.   I miss you.’  (James Wright, United Talent Agency)

‘John will forever be remembered as a true friend to the Quincy Jones Productions team. When QJP decided to go into artist management about a decade ago, John was the first UK promoter to take a chance on us, and bring a relatively unknown client to the UK. John became our go-to partner in the UK and we worked with him on countless projects through the years. Years later, he introduced us to a young conductor he was managing named Jules Buckley which led us to pursue Quincy’s first orchestral concert in decades, and first-ever headline concert at the Royal Albert Hall - all conceived of and put together by John with the BBC. Quincy fell in love with Jules as both a conductor and an orchestrator, and that has led to the amazing renaissance of Quincy concerts in the last few years with orchestras around the world in places like the O2 Arena, the Bercy Arena, the Montreux Jazz Festival, and so much more. None of this would have been possible without the introduction John made and the vision he had. And on top of all of this, he did it all with kindness.’ (The Quincy Jones Productions Team)

‘When I think of John, I think of someone who was a 'yes' person, a true producer, someone who worked with everyone to find the very best outcome. As a result he was someone from whom we all learned. He was wise. Years of experience exuded from every pore. He carried and shared his wisdom with grace and generosity. Everyone can learn from John...still.’ (David Francis, Four Winds Concerts Inc)

‘John was something else! I had the pleasure of working with him several times, but even to just know him and hangout with him was wonderful. All those stories ;-) and so many laughs. And on the other hand, so sincere when it came to music and musicians.’ (Sophie Blusse, Jazz International Rotterdam)

‘Right now, UK jazz is banging and John played a vital part in that happening. I saw his glow and vibrancy most clearly through the people he surrounded himself by, kick-ass women with such inspiring appetites for music and life.’ (Debra Richards, journalist, broadcaster & promoter)

‘John had a very refined grasp of the complex mix of skills needed to build an organisation from its start-up to its culmination in the grand organisation that Serious has become.  The most important single quality he brought was a love of the diverse range of individuals he was dealing with. Perhaps his original experiences in theatre gave him the ability to see us all with our strengths and weaknesses as characters in one epic drama. A rare individual.’ (Evan Parker, musician)

‘During my four-year posting to London as the Cultural Counsellor at the Norwegian Embassy I got to know John both professionally and as friend. He had come highly recommended by my predecessors and my very good colleague Anne Ulset, something I was soon to experience for myself. John's knowledge of the Norwegian music scene and jazz in particular, was impressive. Over the years he invited many Norwegian musicians to perform at the London Jazz Festival as well as other music events and thus made their names known to wider audiences outside Norway.  We will always remember him as a very professional, generous, friendly and caring person. We send our condolences to John’s family, to you and to the Serious staff. Our thoughts are with Ginnie and the rest of John’s family. In memory of a fantastic person and friend.’ (Anne Ulset and Eva M. Vincent, Norwegian Embassy)

‘I have just been listening to some of John’s radio interviews and smiling in spite of everything at his boundless enthusiasm - he never sounds older than 25!  I ended up chairing the Serious Trust after years of going to concerts organised and inspired by John, so I already sort of knew him and his importance for jazz here and abroad. After that I was mostly running after him in the margins of gigs, for some background gossip or to hear what he planned next. I will miss him very much. He will always be remembered. What a legacy to leave behind.’ (Ann Grant, Serious Trust)

‘John Cumming is responsible for a lot in my life, actually. His work and mentorship provided opportunities that introduced me to some of my dearest friends as well as my closest colleagues and clients. An unforgettable comrade with an immense and generous soul, he was fiercely kind, loyal, funny and astute, as well as quietly radical and deeply principled. He was a great friend and ally to so many from Max Roach to Robert Glasper but also managed to extend huge generosity of time, spirit and faith to others at all stages of their lives and careers; including me. A huge number of seminal projects, concerts and careers owe their existence to his brilliance and vision, and even more owe so much to the way he inspired those around him to have faith in ourselves just by virtue of his interest. His approval was, to many and for good reason, THE seal of approval. I was constantly humbled and rather amazed that he took an interest in my small projects and ideas; but that eternal curiosity and instinctive egalitarianism was such a part of who he was and, I think, what made him so special. He could be in a room with the legends of our music but he would take as much time for the unknown and up-and-coming as he would the established stars; a characteristic that was genuine rather than strategic - but that always allowed him to be further ahead and younger at heart than most in his thought, art and action. For all his work, which was abundant and unarguably great, it was John’s spirit and attitude that will live with me, actually. That and that word; which I will forever hear said in his voice.’ (Freda Knowles, The Serious Diaspora)

‘Working with John I lost count of the number of times I wanted to climb inside his brain and understand how he could piece together a truly inspiring project from what, to the non-John-Cummings in the room, looked like a set of impossible circumstances. I feel incredibly lucky to have met John at an early stage in my career and to have learnt from someone at the very top with such a genuine interest in listening to and working collaboratively with people regardless of their age or industry experience.’ (Katie Pattinson, The Serious Diaspora)

‘This world is getting stranger by the minute but I'm sitting here in Brooklyn thinking of that impish smile of John's reacting to this more than unfortunate reality while I listen to your spot on observations of the assholes running the show these days and smell the warmth and kindness on your breath (not to mention the whisky...). Who couldn't love that guy?’ (Roy Nathanson, musician)

‘John knew everybody, but John also had time for everybody, which is perhaps the remarkable part. Everyone will have anecdotes about John, but he was one of those special people who ultimately doesn't need to be remembered by the stories: his warmth was such that just being around him was the joy.  It feels like I can't remember the last time I spoke to him, because in recent times, we tended to dissolve into laughter at the sight of each other before managing any more meaningful conversation. The reason for this was an email exchange we had been having for many months, the subject of which was terrible musician puns (he'd started it one night at Ronnie's). We'd typically see each other with a glint in the eye which meant something along the lines of 'you'll never guess my next one...' For the record, his last to me: 'Ravioli Shankar'.’ (Alexander Hawkins, musician)

‘JC was an open-hearted champion of so many in the jazz world. He was a giant of the industry and a legend of the UK scene...but he was so much more than that too; a kind, caring, humble, positive and 100% genuine person, who lived life to the fullest and whose essence will remain a part of UK jazz’s fabric for an eternity.’ (Phil Meadows, musician)

‘When he was on fire there was no-one better. It was a privilege to work with him and can think of no better example of his creative flair than in the tribute to Basil Kirchin he and Martel produced, Mind On The Run as part of Hull 2017. He took a kernel of an idea and turned it into a life affirming, bonkers masterpiece with artists involved paying tribute to John as much as they were to the memory of Basil, always in the now and supporting who’s next, his passing has left a massive hole in an industry that relies on artistic integrity but rarely seems to value or recognises it. A wonderful man who will be missed.’ (Sam Hunt, Creative Producer)

‘What I loved most about John was the way he would say ‘hullo!’ when meeting him, mostly at a bar, many bars in many different places. Too many to count. I remember the one where I first met him though: that was at the ‘old’ Bimhuis, in 2002 or 2003. Later he invited the Braam trio I worked with to London and said he was pleasantly surprised with the music. But you booked them! I said. Well yes, he replied, because you told me they are good! When a few years ago I had a bit of a clash with the much tougher pop/rock business, he was very supportive, came to see me when I was in London and really helped to make me feel better about it all.  John was one of the nicest people on the scene and I will miss him very much.’ (Danielle Oosterop, booking agent/manager)

‘I first met John when Scottish Organiser of the Musicians’ Union. He loved “coming hame” to Scotland and we quickly established a close friendship that resulted in many Scottish musicians benefitting from John’s collaboration and partnership. On becoming Head of Music at the Scottish Arts Council, then Creative Scotland that relationship flourished further. I would cite the debut of Tommy Smith and the SNJO in the QEH at the London Jazz Festival alongside support for Bill Wells and Brass Jaw as obvious examples, together with the talent development programme, Air Time, established by John and Martel in Scotland. I will be ever grateful to John for his incredible understanding of what musicians really needed to progress and sustain careers in the music industry. His like will rarely be seen and that is what made him so very special. I shall miss him, but thankfully his legacy will live on.’ (Ian Smith, President, European Music Council)

‘My sadness is selfish, hoping for one more great belly laugh over a drink discussing some obscure event and how it changed John’s approach to something or other. My joy is that we got to know a tremendous human being who loved family, friends and life. My hope is that I can keep John’s faith in others.  Much love to Ginnie, Kate, Amy and all those to whom John meant so much.’ (Karen Kennedy, 24/Seven Artist Development)

‘With the passing of John Cumming, the international jazz community has suffered a great loss. His importance cannot be overstated.  He was an inspiring colleague and his curiosity, creativity, deep knowledge of music and ability to unearth and present new talent in every possible context, will be sorely missed. Across 25 years, he was my friend and mentor – I'm going to miss the good conversations, late night hangs and not least, his laughter and good humour!’ (Jan Ole Otnæs, Nasjonal Jazzscene - Victoria & president Europe Jazz Network - this is part of a longer tribute from all EJN presidents, here)

‘It's overwhelming reading all those moving messages while feeling the deepest sadness. And it's terribly hard because this time, John won't add his word at one point, with this impish smile of him.  I admired and loved John, for the serious and the fun he was mixing so well together, for his warmth and his kindness, for the value of his influence on our small world... It's been such a luck and a damned pleasure to sail on this European odyssey with him aboard, always for the better! May his good influence never disappear.’ (Xavier LeMettre, Banlieues Bleues & EJN)

‘I’m not sure that the jazz world has ever completely grasped how much John Cumming has contributed to the music.  It is great that he was awarded an OBE in the Honours List a few years ago, but John was not a person prone to self-promotion; he just wanted to make a particular gig or tour work for help a given artist develop his career.  He leaves a huge gap, and, as the jazz world recovers from the current crisis, his example will be sorely missed.’ (Tony Dudley Evans, promoter – this is an extract from a longer blog by TDE, here)

‘So long John. That long, strange and wonderous trip that began over 20 years ago when we first worked together when Jazzwise became media partner to the London Jazz Festival has now sadly pulled into the station, but the train wheels still turn. You were a true friend, a fellow traveller of the counter culture’s bohemian byways since the mid-1960s, and helped me a lot when Jazzwise first launched in the late 1990s. You helped produce Jazzwise's 5th and 10th anniversary festival weeks at Pizza Express Jazz Club and it was to you that I turned when I came up with the idea of Jazz For Labour alongside former Labour MP Bob Blizzard back in 2014 that resulted in the Barbican concert prior to the Ed Milliband election in 2015. A fantastic, memorable night even if it didn’t swing the election our way. Above all John and I liked to keep the tradition of a 'good'  (or should that be long) lunch going when business entertaining veered  away from such decadent practices, and many a good idea came out of them, together with a variety of less workable suggestions and a lotta laughs of tales far, wide and tall. We never did get last lunch in, but please reserve a table upstairs, and put the wine on hold. We miss you madly, man.’ (Jon Newey, Jazzwise magazine)

‘He was much more that a colleague: he was a friend of mine since more than 30 years. I was just beginning at Jazz sous les Pommiers and he was already there touring with Carla Bley big band or with Andy Sheppard. He was an ambassador for the British jazz, passionate about jazz, a good person. So many souvenirs, so many concerts...Jazz sous les Pommiers was normally taking place this week. Bad week with this cancellation and the death of a friend. John, I miss you so much. Au revoir mon ami!’ (Denis Le Bas, Jazz sous les Pommiers & EJN)

‘For me, John Cumming and John Ellson were Serious. The two Johns! That is how I will remember them both - separately and together. Two great personalities who had a major impact on the international jazz scene.’ (Peter Conway, promoter and agent)

‘John raised the bar as a promoter, developer of artists and all round visionary in music and the arts.  Working with him was always a pleasure and full of laughs.  He was one of the most caring and generous people we have known.  He will be greatly missed by all those who have been touched by him but mostly by his loving and close family, Ginnie & Kate, our hearts go out to you. Both Lydia and I are honored to have John and his family as our friends. We hope everyone can find peace during this unsettling time in all our lives.’ (Jack & Lydia DeJohnette, musician / long-term friends)

‘Susan and I really loved John. He was one of a kind and for many years he made those gigs in UK so much fun. We all really looked forward to seeing him and it won’t be the same now that he’s gone. John is one the most beloved people in our biz and I am so lucky to have had him as a real friend and shared many great, funny happy times with him. We’re thinking about Ginnie and Kate and sending you both love and comfort. I hope we can somehow all get together and celebrate John when the world starts again. Much love.’ (John Scofield, musician)

‘So sad to hear of John's passing, he was such a unique and strong hearted man of unpredictably fascinating character and humour,  a leader in our musical and creative community who was always out and about being an active and fun part of it, someone who through countless hours of work and commitment, created meaningful and joyful life moments for so many people over decades,  and all the while keeping his own passion burning bright, his youthful curiosity accompanied by that ever present sparkle in his eye. His support to me and so many others was invaluable, and I will always be grateful to him, also for when he told me that his door was always open, as in the few times when I needed it to be, it really was.’ (Sebastian Rochford, musician)

‘Rarely did I see John without a smile. That is important because live production, programming and artist management are, despite all the excitement and stimulus, highly stressful. No doubt he would call people to order if need be, but his grace under pressure and genuine care for audiences, colleagues and collaborators was tremendously touching. Furthermore, he gave me many opportunities to make progress in my career. Above all I appreciated the constant encouragement and belief in what I was doing, as well as the words of wisdom dropped at appropriate moments. Only John could have lined up an interview with the legendary Cecil Taylor and only John would have told me the correct way to pronounce Cecil was See...cil, not Sessul. I am absolutely saddened by his untimely passing and shall miss him a great deal.’ (Kevin Le Gendre, journalist & broadcaster)

‘It is very rare to come across a person in the music business who is as universally loved and respected as John. I only ever heard good things said about him by musicians of several generations, and by other promotors and journalists. John was unfailingly good company. Witty, intelligent, curious about others, and warm spirited, 4am could come around in the blink of an eye in his excellent company. They should name a concert hall after him. Or a bar. He will be missed.’ (Ian Patterson, writer)

‘He was a father for me, a brother, a real friend, an unforgettable comrade, a man with a vision, with an immense and generous soul. A constant source of inspiration for the whole cultural sector, worldwide. I will also miss our talks on Scotland, the true whisky, the haggis and wines. I truly missed him ... Love to you Ginnie and Kate! I want to send you my deepest sympathies.’ (Giambattista Tofoni, EJN)

‘John was the sort of person who made you feel like you’d known him forever. I think that’s one of the reasons why he was so popular as partner and friend across the world; his generosity, humour and deep, extraordinary knowledge of jazz past and present meant that he inspired respect and laughter across generations and continents. I’m so grateful for all the ideas and connections John shared as we talked about my move to NYC and to his ongoing passion for helping new artists as well as being best friends with the established greats. He will be deeply missed by us all.’ (Vanessa Reed, New Music USA)

‘He was such an inspiration to us all working in the broad music field. His knowledge and curiosity led him to finding new talents from all over Europe, and his good humour was simply uplifting and always encouraging! He will be truly missed, and our thoughts go to his family and all friends that stood him near. Rest in peace John.’ (Jan Bang & Erik Honoré, Punkt Festival & EJN)

‘To me, he was like a monument or a statue; always been there and will always stay there…I am still in shock and tears. He has been so kind to me, so nice, so friendly with the young me, the ignorant of life, jazz, etc me. I probably understood 50% of what he was saying because of my poor English and his wild accent…I am glad and lucky I met him and spent time with him. I wish I could have spent more.’ (Antoine Bos, AJC - Association Jazzé Croisé & EJN)

‘Mentor is the wrong word to describe my relationship with John, he was a friend. Yet he was always so generous with his time that over the years he taught me so much about working, and building relationships with artists. The world will be an emptier place without him. Truth is wherever jazz communities gather to tell their stories, John will always be part of the conversation.’ (Graham McKenzie, hcmf// & EJN)

‘I called my time at Serious ‘jazz school’ and I was lucky to be schooled by the best! John was incredibly generous with his time and knowledge... and a bottle of wine. Lessons in working hard but remembering to listen and enjoy the work being created. RIP John you are missed.’ (Danni Colgan, The Serious Diaspora) 

‘Working with John was always full of music, laughter and large quantities of wine.  His generosity, kindness and passion for what he did made him a true leader and I learned so much from him. I will be raising a large glass in his honour.  I think that's what he'd have wanted.  Rest well, JC x’ (Jo Royce, The Serious Diaspora)

‘Funny, witty, driven, sincere and a truly generous soul. John is someone I wish I’d met much earlier in my life and spent much more time with when I did. He and I in a bar at JFK airport when I met him for the first time will remain a treasured memory and the time at Serious following was always made better by his presence. Thank you John for all your support, care and love, I will miss your cheeky smile. RIP dear friend and condolences, love and hugs to Ginnie and Kate and all your close friends who will miss you so much. (Leonie Sackey-Gourley, The Serious Diaspora)

‘Every time I settle on a memory from my 10 years working with John, I remember another amazing tale, or incredible gig he produced. Professionally I learnt so much but the most important lesson was the art of the ‘hang’.  John was a master.  One enduring memory is at Gateshead Jazz Festival – or rather after the Festival at 4am. He was in his element – surrounded by a circle of musicians, doing his finger-pointing dad-dancing.  I remember being desperate to get some sleep but now I know those hangs won’t happen again with John I’m glad I took his constant advice and had ‘just one more drink’.   John made a huge mark on the international jazz community and I hope that Ginnie, Kate, and his family find comfort in knowing how much he meant to so many people. He will be missed.’ (Claire Furlong, The Serious Diaspora)

‘John was an openhearted and openminded boss, mentor and friend whose passion, knowledge, creativity and stamina(!) was second to none.  He was a dedicated follower of fashion and of terrible jokes…I seem to recall him receiving a daily text joke at some stage, that he would announce to groans in the Serious office!  I have fond memories from my first “proper job” in London…of course all the gigs, backstages, epic Jazz Festivaling, post shows and late night hangs but, also, time spent putting gigs (and the world) to rights in his office, amidst the tallest stacks of paperwork and CD towers you can imagine.  I remember asking John a few times in earnest, after battling the Serious fax machine(!), “how on earth did this all work before emails, and before the mobile phone?”.  He had done it and seen it all throughout his career, taking everything in his stride, and was such a positive force in the world. I am truly proud to have been part of the Serious family, and glad to have been able to work with John again on Hull 2017, where we enjoyed some truly unique Basil Kirchin inspired times!  My love and best wishes to Ginnie, Kate, the Serious family and all who knew and loved JC.  Cheers John!’ (Rob Timmer, The Serious Diaspora)

‘I first met JC when I was volunteering for the London Jazz Festival and spotted someone standing at the back of the auditorium with a glass of vino completely lost to the sound of Sonny Rollins, a very fond memory. I got the pleasure to work with him on several projects and was always struck by how supportive he was to the next generation of jazz producers, artists and basically anyone within the jazz fam. He was a true inspiration!’  (Trish Brown, The Serious Diaspora)

‘For over 20 years of our working together, John made those oft uncomfortable bedfellows of jazz and orchestra natural partners. Whether it a legendary artist, a BBC commission from a newcomer or just something he thought would make a great concert – from start to finish John founded the project with his trust in you and just a light nudge on the tiller when it was needed. Always open to ideas - and generous with plenty of better ones coming back. Wrong to single one show out – but John Surman with the Concert Orchestra playing Road to St Ives in 2005 at the Queen Elizabeth Hall is so firmly etched in my memory it will always be there, reminding me of all the happy collaborations with John and everyone at Serious.’ (Andrew Connolly, BBC Concert Orchestra) 

‘John was always so full of life and laughter, the life and soul of a jazz hang...always there till the bitter end, drink in hand, joking and making new outlandish plans. I'm going to really miss him. Of course, he was a brilliant and visionary promoter, and always so supportive of myself and my generation. I owe John so much, and I'm forever grateful for the precious times I had with him.’ (Arun Ghosh, musician & composer)

‘So fortunate to have known John through some amazing projects, including Take Five and The Third Orchestra. He told us wonderful stories about his youth and musician friends over drinks, which I will cherish forever.  We’ll in turn remember him as one of our dearest friends in our stories.’ (Hyelim Kim, musician)

‘Fun and mischievous, a wily negotiator, the standard that aspiring promoters measured themselves against. A restless mind, always looking to the next thing, and a prodigious recall of gigs great and small over his stellar career. Stamina that few could match, particularly where single malt and good company were involved. Cultural polymath, and comfortable in his rangy intelligence.  A proud Celt, a lovely guy.  Ar dheis de go raibh a anam.’ (Gerry Godley, Leeds College of Music)

‘My friend John Cumming died on Sunday. For many he was a mentor, a legend, a supporter and more, but he was also a friend to many of us, who loved him dearly. I’ll miss him terribly, but I’ll honour him by listening to jazz and drinking a good whisky (Scottish of course) and remembering the many good times. The bar at Ronnie’s, the guilty pleasure of George Benson at A Love Supreme, dinners at The Quality Chop House, a finger-wagging, hair dryer style bollocking in front of the great and the good at one memorable Jazz Festival launch, oh and the time he took me backstage to meet McCoy Tyner, a friend of his like so many. “McCoy” he said, “meet my friend, Kerstan, you’ll like him, he’s a Muthafucka too!” Thanks John I’ll miss you, but was glad to have know you! RIP MF’ (Kerstan Mackness, Funky Fly Music)

‘John was a beautiful person, with a huge heart and unmatched dedication, knowledge and expertise for his work. I felt privileged to know him and benefit from his wisdom. He was endlessly sociable and always up for a chat with great stories and good advice and a lot of laughing. Although he had officially retired, last time we met, he was still full of energy, ideas and generosity. Wherever he is, he’ll be fixing a big gig with a glass of wine in hand, lots of people around him telling stories and laughing.’ (Raymond MacDonald, musician)

‘The indelible memory; wearing a dark jumper and light smile leaning forward bent on really listening to you - determined to enjoy the company and the craich. Irreplaceable.  Love and tenderness.’ (Anna Umbima, broadcaster)

‘Just as he supported 1000s of musicians, John backed me as radio presenter, promoter, TV producer + company runner for 30 yrs. He gave @SomethinElse a break from day 1 in '91 + I proudly work with him + @Seriouslive to this day. Owe him loads - for my career + music he intro'd me to.’  (Jez Nelson, Somethin’ Else)

‘I am so sad, that I can hardly speak. It struck me like lightning. He was such a lovely person, one of the very fine and longest standing relations I had in the business since the early seventies and one of the very few that I would really call a dear friend.’ (Peter Schulze, jazzahead! & EJN)

‘John has been already a legend in lifetime. Now he has become immortal. I’ll never forget when I met him for the first time. This was 1987 when he brought the Gil Evans Orchestra to Stadtgarten. This has been the last tour of Evans in Europe before he passed in 1988. I then met John several times a year all over Europe in the very founding phase of our great network – and we have become true friends. I learned from him every time when we met. I always loved his humor, smartness and curiosity. But what impressed me the most was that he always had the youngest mind of us all.’ (Reiner Michalke, Stadtgarten & EJN)

‘John Cumming was one of the very first people from the international jazz scene I met when I started my adventure with Jazztopad Festival almost 14 years ago. He soon became my role model. He was always generous, curious, respectful, creative, funny and willing to support artists. I have never met anybody who would not say great things about John. He was one of a kind. He loved life. He loved good music. I could always count on him if I needed advice or just a great hang at one of the bars wherever we met. I will miss him tremendously. Rest in peace John. See you on the other side.’  (Piotr Turkiewicz, Jazztopad Festival & EJN)

‘At the interval between sets, backstage after a gig, across the room at a crowded launch, the sight of John Cumming - tall, bespectacled, kind-eyed - always made spirits soar. It wasn't just his approachability. John drew you to him; you simply had to go and say hi, knowing that he'd make time, even if surrounded, for a chat. It was the reassurance of knowing that if John was there, then this was music of quality, of daring. That it came blessed. John's passion for music and life was palpable. He is, and will be, sorely missed.’ (Jane Cornwell, jazz critic) 

‘The smile and glint in his eye when, mid-conversation, he would exclaim 'ah' or ' well you see…' (sometimes accompanied with a finger in the air) and would launch nonchalantly into another incredible story. What a legend. He will be so missed.’ (Holly Goodfellow, The Serious Diaspora)

‘Somewhere, there is a video of John and me dancing in Newcastle. I have many memories of drinking with John. The conspiratorial handshake and the half-wink that came with the smile. In many ways, he was The Good One; he was missed already, and now I miss him more.’ (Corey Mwamba, musician & broadcaster)

‘I’ve had the pleasure of working alongside John and his many colleagues at Serious since 2008, photographing many events from EFG London Jazz Festival and BT River of Music to editions of the highly successful Take Five professional development programme (now hosted under the Seriously Talented umbrella). Working with Martel Ollerenshaw, Take Five was a perfect example of John’s strength in recognising emerging musical talent and weaving their creative forces into his encyclopaedic ecosystem of jazz knowledge, contacts, venues and established artists. Seeing those artists mature in statue over number the years has been brilliant to witness. Just look now at the Seriously Talented roster of near 200 musicians - they include Alexander Hawkins, Jules Buckley, Kit Downes, Moses Boyd, Pete Wareham, Shabaka Hutchings, Shirley Tetteh, Yazz Ahmed and Zara McFarlane - to new a few!’ (Emile Holba, photographer)

‘John set the standard and as such was a true inspiration. He could always do more, hear more, see more, than anyone else.  He saw more concerts, until later into the night (very well into the next morning) to arrive again with a smile the next morning in time for our meetings. I love that memory of him. I am thankful for the knowledge and opinions he shared, for the laughs and the good times we had. For his everlasting passion for music and life. John is one of those in the music industry, who set up a great company that was both a SERIOUS business and a cultural institute, in which music for the sake of music was at the heart. Though I am afraid I can never equal him in attending as many shows and being everywhere in just one night, I consider him to be the example, and will give it my best for the sake of the music he loved so much. Thank you, John! May you rest in peace.” (Michelle Kuypers, North Sea Jazz Festival & EJN) 

‘John was a unique person and he was one of the driving forces that shaped the current landscape for artistic music in Europe. Good ears and a good heart. Many musicians and promoters (like myself) had the luck of being introduced, inspired and educated by John. I will miss him. My heart goes out to John’s family, friends and all at Serious.’ (Sander Grande, North Sea Jazz Festival & EJN)

‘I've been thinking about what made those years, people, gigs, tours, projects and hangs so special at Serious…it was all about your mastery of time and timing. I have never known/seen anyone borrow, move and manipulate time like you did….first in the office, passing through walls to beat us to meetings at the Barbican from the office, a few gigs, a hang ('til 4am if it was a good one...), back in the office early the next day…you worked about double the hours of the normal person. Sophie and I once ended up at a midnight show the day after a heavy leaving do and told Martel that for motivation, we'd asked ourselves 'what would John do'? 'Oh come on,' she scoffed 'when I met John he'd make it to 3 shows a night. But then, he was a young man. He was in his 50s.' Magic. You made time for important work, had time for everybody and gave time to young people to explore new ideas and express themselves. Your time budget was like your best show budgets: creative and brilliant.’ (Tom McNeill, The Serious Diaspora)

‘John…such an enthusiast with an awe-inspiring knowledge, yet always approachable and modest. An agonising loss for his family and his many friends and colleagues. We all thought the world of him and it’s hard knowing that we won’t have the pleasure of his wonderful company again. RIP JC.’ (Claire Watson, The Serious Diaspora)

‘This is hard. I have known and worked with John since 1984. He managed and guided my career with ‘Serious’ worldwide during the late 1980s to the mid 90s. John was extremely generous in spirit, knowledge and with his amazing recall of hilarious moments on various tours, etc. John always remained a dependable trusted friend, that my family knew we could call or count on at any time. I’m going to really miss amongst other things, the footie banter, “Wee Drams” and laughter. May his memory always be a blessing!’ (Orphy Robinson, musician)

‘Stretching back over decades the memories are all positive. His humanity shone through his complete professionalism, everything taken care of on top class gigs with top class people. And of course, always that wry, good humoured total involvement. What a loss - we'll miss you, John.’ (John & Maxi Marshall, musician/long-term friends)

‘I have so many memories of John as, being the same age, and coming up at a similar time, our paths crossed so many times. What a fantastic organisation he built up with Serious.  He was always such a friendly guy and good to me over the years with quality work coming my way. He had an easy-going manner that belied a really keen intelligence and the gifts of a great impresario. Juggling so many plates and keeping them in the air ! A brilliant guy who leaves an enormous gap in the world of jazz and contemporary music.’ (John Etheridge, musician) 

‘Hi John - What an incredible and constant inspiration you've been, not just to me, but to all of us connected to this music we love.  You're the one who's set the standard. The one we all look up to. The one who always knows what to do and how to do it well. I've lost count of the times I've been in a really challenging, confusing or dark situation and thought to myself "What would John do?" To say inspiring doesn't do your nature justice. To say overwhelming success can't possibly describe your endless and celebrated achievements.  We all look for a guide of some sort - real or imagined, human or inanimate - to use as a kind of beacon, a measure we can occasionally check to see if we're still on the right path. Or any path. It's no overstatement to say that you continue to be that beacon to me and to hundreds of our peers and companions. Someone who knows how to make the right choices, extract hope from despondency, and get the very best out of everyone.  You do this because you love people. And ultimately, I think that is your greatest quality.’ (Steve Mead, Manchester Jazz Festival & EJN)

‘I think John chose the best possible time for his life on this planet. Born right after the worst nightmares of the 20th century history, came of age in the wonderful 60s and 70s, lived to witness the current amazing technological advances, and departed just before it all turns to shit. I'm glad I could meet him.’ (Marcin Masecki, musician)

‘I knew little to nothing about jazz when I joined Serious in 2008 to work on the London Jazz Festival. Working alongside John was a privilege - he had such vast experience and great stories to share, and his enthusiasm for music was infectious. John was good humoured but had a no-nonsense approach which I respected. I learnt a lot working with him - how to deal with tricky agents, artists and budgets - but also not to underestimate the value of a chat over a glass of wine, it can lead to all sorts of wonderful things.’ (Suzie Curtis, The Serious Diaspora)

‘I’m very saddened to hear of John’s passing. He was such a genuinely warm, vibrant and funny man with an overwhelming passion and love of music. He was so supportive of my musical work & would always stop for a chat or few glasses of red wine!! I loved that he was a true believer & supporter in the more adventurous and risk-taking side of jazz. Such a massive loss to the European Jazz Sven. Rest in peace John.’ (Dave Kane, musician)

‘The sheer dedication for the music and its makers shown by people like John has such an enormous impact on the music… In these strange times where borders of all kinds are (re)appearing, John’s relentless facilitating, bridge-crossing, people-connecting and late night hanging is a big loss.’ (Robin Fincker, musician)

‘I met John on my first major performance in London. He sat on his own, a silhouette in the darkness, but I knew who he was. He came to speak to me afterwards and his warmth of spirit and cheeky sense of humour were immediately apparent. He would go on to be an inspirational and supporting figure in my career, and always a fun, intelligent, vivacious person to be around. He made me feel special and motivated every time I spoke to him.’ (Laura Macdonald, musician)

‘What struck me most on first meeting John, at a dazzling and formative Air Time, was his irrepressible energy and sheer love of music, musicians, promoting, giving advice and generally being in the thick of it at all times. He chaired the late night discussions with even more relish and verve than earlier in the day. I and the other Air Time participants were very much in awe of both his encyclopaedic knowledge and seemingly fatigue resistant 24 hour drive! He led by example. His advice was always frank, to the point, honest and exactly what you needed to hear and know. He is a seminal figure in so many ways, and his kindness, humour and selfless devotion to art enriched all those lucky enough to have known him.’ (Simon Thacker, musician)

‘It has been a privilege to know and work with John. To share his wisdom and imagination - and company - a most convivial, gentle, kind-hearted partner.’ (Peter Wiegold, The Third Orchestra & EJN)

‘I was always struck by the energy John had. It seemed he could go on forever…I once walked back to a hotel after a long night of music at the Sage Gateshead. John and Nod (Knowles) were engaged in a vivid discussion…they invited me for a last drink at the bar. I was tempted but declined because I had to take a six o’clock train…when I was back in the lobby they were still sitting there. Same position, talking energetically. It made me smile with disbelief. I went up to them to say goodbye and what a long last drink that was. They apologized and said they should go to bed. But as soon as I turned my back they started chatting again with the same energy. I was younger but I didn’t have that energy and probably not the imagination or creativity to keep a conversation so vivid for so many hours. I will never forget this, and other encounters.’ (Wim Wabbes, Handelsbeurs Concertzaal & EJN)

‘John was a beautiful restless spirit with a fantastic wit and towering empathy for culture. I miss his brilliant smile.’ (Max de Wardener, musician)

‘An exceptionally generous, open-minded, humane man, a champion of art's fundamental, subversive importance. Drawn to visionaries and mavericks, John’s passions and politics were one.’ (Genevieve Lacey, musician)

‘There was a time when giants strode the earth. John strode amongst them, all brains, teeth, glasses and passion. I feel honoured to have met him.’ (Paul Grabowsky, musician)

‘I first met John at the Penang Jazz Festival in Malaysia and thanks to that connection I visited the London Jazz Festival twice.  I can’t say I knew John very well, but do remember quite a few fascinating conversations…I admired John’s wisdom, the breadth of his vision and his ability to find humour in the most challenging of circumstances.’ (Jessica Nicholas, journalist)

‘A lovely, lovely man - who wanted nothing more than to make great music happen, did so, and helped countless numbers of people to do the same. My abiding memory of him will be seeing him stealthily emerge through the stage door at The Barbican, and perch on the handrail to watch the concerts - may he always be there, smiling, and watching on...’ (Matthew Bourne, musician)

‘John was like a character from a novel. Generous, wise and with more personality than anyone. He heard what you were doing, understood it and valued it, then used his position to make something happen for you. He'll be reminisced about by jazz people the world over, over drinks, for many years. And for those struggling with the difficulties of creating cultural events; I bet stopping and thinking "what would John Cumming do" will always help.’ (Adam Fairhall, musician)

‘I first met John in Glasgow in 1990.  I had just started as Administrator at Glasgow Jazz Festival and John, Ginnie and baby Kate came up to Glasgow for the Festival. My earliest recollection of a chat with John was backstage at the Miles Davis gig and, bizarrely, about Terry Wogan and his voiceovers for kids’ cartoons! We had many more chats over the subsequent years – mainly in the “wee small hours” and over several bottles of white wine! Late night hangs in bars and clubs – dancing with Russian sailors in Estonia, karaoke in Slovenia – many, many good memories (some a bit hazy!). You always knew you could call John for advice or support – which he would happily give you.  I’ll miss his wisdom and his chat. All love to Ginnie and Kate and John’s extended jazz family.’ (Jill Rodger, Glasgow Jazz Festival & EJN)

‘I have known and worked with John since 1978 when we produced the Hammersmith Jazz Festival together and then in 1980s we co-produced Mama Chicago by Mike and Kate Westbrook and Jelly Roll Soul by Tony Haynes at the Lyric Theatre Hammersmith. We re-connected in 2016 during the lead up to Hull 2017 UK city of culture and there followed an amazing sequence of top international jazz programming that brought the worlds’ greatest to Hull. John was one of the nicest people in the music industry and a force of creative energy, loved by all who came in contact with him. Just a couple of weeks ago, he was working with us on the European tour of his last international production, Harlem Hellfighters, which featured a new generation of young musicians from Tomorrow's Warriors working with Jason Moran. We will miss him and his wonderful stories and laughter enormously.’ (David Porter, Hull Jazz Festival)

‘I will always remember Air Time as being one of the most foundational experiences in my career as a musician, and the warmth, generosity, and open mindedness that John and Martel imbued throughout that week was invaluable. Years later, I still refer to my notes! For John to have welcomed me into his extended musical family speaks volumes to his forward thinkingness and deeply inclusive attitude towards jazz, and music in general.’ (Lauren Sarah Hayes, musician)

‘I have known John since his days at the Jazz Centre Society. I was always impressed with John's unerring grasp of jazz and the contemporary music scene and his promotion and championing of the live event. His profound knowledge and expertise will be sadly and sorely missed.’ (Chris Hodgkins, musician)

‘A towering figure on the scene yet so approachable and giving. He was always genuinely warm and made time for me, and many like me, despite being ludicrously busy… Thank you John.’ (Alan Benzie, musician)

‘You were a true mentor, coach, friend and an absolute legend in the jazz industry. You always believed in Good Music and supported our activities… but the stories... man, I have so many fantastic stories to tell! I will never forget how we met at Kongsberg Jazz in Norway, in the middle of nowhere, in a bloody Nordic hottub in a forest (with two confiscated bottles of wine from the backstage)! Or the story about our lunch together with John Zorn, which turned out to be pleasant and bizarre at the same time. I will miss our annual evening walks in Manhattan where we talked about the state of the music industry, about new artists, about life, your days with Carla and Charlie. My head still hurts when thinking of the numerous accounts of me and Jurjen being the last ones to leave the bar at 5am, only to find out that you (!) were still at the bar ordering a new drink... and being the first, fresh and fruity, at our 9am meeting. We shared ideas literally everywhere: London, New York, Oslo, Tel Aviv, Jerusalem, Rotterdam, Lisbon, Bremen, Cully....Cheers to you mate. Be with the stars.’ (Mike Bindraban, goodmusiccompany) 

‘Near and far, people, places and occasions are unquestionably better for John’s support and inspiration. Typical that just 14 days ago John he wrote to ask about the health of a friend. Others first always.’ (Andrew Ward, musician)

‘I just can't even remember what ridiculous joke it was that set me off one night during the Take Five residency, but I know John was half to blame for the fact I couldn't even pronounce my own name when asked and had to leave the room in fits of laughter. He was a true glinter... Something about the lightness in the way he was lent everything some humour and openness. Always on your level. His ear and mind was always connected to the edge of things. Such a rarity. He will be massively missed from our musical ecosystem.’ (Heidi Heidelberg, musician)

‘I was away on tour, probably with the Tubes, and this bloke comes up and says "here, you know John C. doncha? "Indeed I do," says I. "Well what does FTBO mean to you?". "Fade to Blackout" says I. "Nope", says he, "according to John C. it means finish the bottle off." What with Emergency Exit Arts and Welfare State, I probably owe my career to him.’ (Lurca, mother's little helper with Loose Tubes)

‘I will forever thank Martel for bringing John into my life. I only got to know him a few years ago but quickly realised why he was such a popular and deeply loved person. Always smiling, always enthusing about his own and other’s projects and passions. An inspiration, a consummate professional and a Real Gentleman.’ (Robert Horsfall, Sound Advice) 

‘John's formidable catalogue of anecdotes was entertaining but also showed just how embedded in live music he was. He really had a story about everybody and he didn't need any encouragement to share them. But what struck me most about John was just how generous he was with his time and with his experience. He always had time for me and although that might sound like a small thing, it really isn't when you consider just how much he was doing. And so that's how I'll remember John - a generous and kind man, at a show, holding court with a bunch of people around him laughing.’ (Lucy Jamieson, programmer)

‘John played different roles for different people: husband, father, colleague, friend, agent, manager, mentor, educator, etc., but first of all he was a wonderful warm, passionate human being, open for new adventures and always having an ear for upcoming new talent. I truly loved working with him talking and thereby learning, listening to gigs together with a drink un our hands. Last night I had a glass of a wonderful single malt whisky, a 1990 Bladnoch with the name ‘Jam Session’ – a gift from my friend Wolfgang Pusching and I silently toasted to the life of John Cumming, who will be sorely missed, but he will always be in my memory.  RIP my friend.’ (Wulf Muller, record executive – this is an extract from a longer blog, found here)

‘John kindly took me out for lunch when I started as the programmer at The Vortex and after realising I had no idea what I was doing and perhaps even why I’d got the job in the first place he ordered more wine and spent the afternoon giving me a master class on the British jazz scene for which I will be eternally grateful.  A lovely man who will be sadly missed by many inside and outside of the industry.’  (Todd Wills, Colston Hall)

‘Beyond John’s indisputably enormous contributions to music, and the musical lives of many, my fondest memories will be the few occasions we got to hang out after concerts or back on the Take Five week; his infectious wit, encyclopaedic knowledge of the music - and the most brilliant stories to accompany it - meant that even a brief encounter felt very special, and always tremendous fun.’ (George Crowley, musician) 

‘John was an incredible person. The opportunities he gave to so many of us was only a very small part of what he meant to me. He was loads of fun, inspiring and supportive. He had vision, principles and a sense of adventure, musically and beyond. RIP John and thank you again for all what you gave to this diverse musical community. and for showing us all how to put your stamp on something...and mean it.’ (Zoe Gilby, musician)

‘I feel very lucky to have been able to meet John and work with him. I am very grateful for all the professional advice he shared so generously with me. We will remember him for his kindness, his optimism and his gentleness. We will remember him not only for his work but also for his wonderful human side. He left a mark among all of us who knew him.’ (Yilian Canizares, musician)

‘…although I knew John was not well at all, yesterday news brought me to deep sadness and tears. I can't even start to think how much we'll miss him, his humour, his generosity, his vision, his love for music and people. I can only think how lucky I was to have known him and have had his friendship.’ (Luciano Linzi, Ponderosa Music & Art and EJN)

‘John was a one of a kind and a true honourable man that meant a lot to everyone he met. He was a role model for everyone working with music - the most including and generous director I’ve ever met. May his creativity, knowledge and his way of leading, organising and cooperating live long in the jazz family.’ (Daniel Herskedal, musician)

‘John’s impact on the music scene is vast.  I’m grateful I got to spend time with him through Serious and the Take Five scheme and was always happy to bump into him at London Jazz Festival gigs. The world has lost a true character, and so many legendary stories with him…’ (Alex Roth, musician)

‘He was living a happy life full of art and beautiful people and was doing great things for them!! That's a lovely life. He was so inspiring... I feel grateful to have met him and have shared moments with him…I light a candle again.’ (Marcos Baggiani, musician)

‘Take Five was a life changing experience for me and helped me grow enormously as an artist. I enjoyed meeting you and appreciated your warm encouraging energy.’ (Olivia Moore, musician)

‘As busy as he was John always took my calls which was incredibly kind considering we didn't have a particularly close working relationship. Obviously, I didn't push it...No doubt he's enjoying a huge reunion with his many jazz friends 'on the night shift.’ (Danielle White, Raestar Promotions)

‘When I think of John I remember him with a glass of wine in his hand, talking late into the night about music and theatre, stories from his unique life and laughter. He was always supportive and interested and truly loved music. I will miss him.’ (Elliot Galvin, musician)

‘I first met John in 1972 when we were both among the team setting up South Hill Park Arts Centre. He a theatre director, me as cinema manager. I performed in a couple of his summer extravaganzas under his direction there before I headed off to tour with a band returning annually for his wonderful Bracknell Jazz Festivals. Our paths crossed later in our careers when we worked together at the Jazz centre. I saw him last a year ago at the funeral of a mutual work colleague. I have fond memories of sharing drinks, parties and listening to music together.  John was always a people person, full of life and passion, and I was impressed at him attending planning meetings at the Jazz Centre without a notebook (I was always made notes). I learnt that making notes got in the way of deep listening and contributing and it was a habit I was to drop later on a result. He will be missed.’ (Gus Garside, musician & arts manager)

‘I met John in the mid 80s when he was organising the Bracknell Jazz Festival and booked my first All Star group, the Paris Reunion Band. Since then we have worked together many times and it was always a joy to discuss concepts and music with him. I can't think of many people more knowledgeable and not just in jazz but all types of music. He was the most dedicated presenter and organiser and seemed to take even mishaps in good stride. He loved what he did so much, but he also loved his family and good food and of course good wine (his potato salad was sensational, I must ask Ginnie for the recipe!). He is leaving such a huge hole in everybody's life especially for the people who were so close to him like you and Amy leave alone Ginnie and Kate...and of course Jazz UK...he had a tremendous influence on bringing international jazz to this country. I just really miss him...’ (Ina Dittke, agent)

‘I was sad to hear about John’s passing. His knowledge of jazz was comprehensive, driven by his enthusiasm for the music; I feel very grateful to have participated in many amazing gigs that he produced. A great loss for the creative music scene.’ (Ivo Neame, musician)

‘I should start by saying didn’t know John Cumming well.  We met in the course of a collaboration between Serious and the BBCSO, and though John was not directly involved in this project, his enthusiasm was infectious, his knowledge profound and the pleasure of his company enormous.  Over the years we came together to discuss other projects and his energy and warm humour never diminished.   I will miss his infectious good company.’ (Paul Hughes, BBCSO)

‘John was warm and welcoming, kind and curious - the kind of person who made you feel you were part of the family. He'll be sorely missed.’ (Amelia Ideh, communications queen!)

‘I didn’t know John so well but enough to say he was a very tender man with a strong personality. Every time we had a chat, he was 100% there, giving a strong input with much clarity to the subject. He didn’t like small talk but feeding time with content which was very appreciated here, especially in contexts of festivals and similar occasions. I really liked John all the way through and his death is to me a great loss.’ (Pedro Costa, CleanFeed)

‘John was always such a generous person with a permanent smile and a warm aura that brightened any room he entered. We spent many happy hours with other industry friends propping up any number of bars at Jazzahead! and putting the world of jazz to rights. At LJF and Gateshead, he would always take to time to come and say hello to me when he was obviously busy with far more important things than acknowledging a photographer. I will miss him and his happy glow too.’ (Tim Dickeson, photographer)